Modular

Posts Tagged ‘Modular’

CUT COPY

April 28th, 2011 by Dave Ruby Howe | No Comments | Filed in Hyperbole

Gavin Russom is a rather excellent choice of remix artist for Cut Copy’s effervescent single Need You Now, a tune which probably stands out the most from Zonoscope for its successful marriage of winning, new romantic-type pop charm and spaced-out sonic exploration. Russom’s remix naturally plays up the latter half of that equation some shining astral synths and stretched pacing. Totally excellent.

Need You Now (Gavin Russom Remix) by cutcopymusic

Any Sydney-siders going to the Enmore show or will it be Vivid? For other Australians reading here are the forthcoming Cutters tour dates – check here for international dates. Expect to see the lads a lot this year.

Thursday May 5th @ The Palace, Melbourne
Thursday May 12th @ The Enmore Theatre, Sydney
Friday May 13th @ Metro City, Perth
Thursday May 19th @ The Tivoli, Brisbane
Friday May 20th @ HQ Complex, Adelaide

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BUMBLEBEEZ

April 19th, 2011 by Dave Ruby Howe | No Comments | Filed in Hyperbole

Whether they (or he as it is most of the time) are throwing down messed up pop tunes like Dr. Love or furious punk tunes or filthy club bangers you can always be assured that you’ll get a galaxy of different sounds from Bumblebeez.

With new material on the cards for 2011, Bumblebeez and Bang Gang 12 Inches have dropped a teaser-taste of what’s ahead from the I’m A Cowboi EP and true to form it’s all over the shop. Check it out below for a raft of discordant beats, gameboy Lone Ranger vibes and screwed up sounds.

CHARLIES SHAKE DOWN COWBOI TEASE 1 by BUMBLEBEEZ

Oh and definitely check out the new Cowboi themed Bumblebeez tumblr, it’s all gronk’d out in true Chris Colonna style.

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ARCHITECTURE IN HELSINKI

April 14th, 2011 by Dave Ruby Howe | No Comments | Filed in Hyperbole, Writing

While I don’t do as much of it as I’d like to, reviewing albums still remains a steady part of my work as a writer/journalist/dude with a laptop for various sites and papers in Australia. I’ve always meant to be more pro-active and post my reviews here on Hyperbole more often so let’s pretend it’s January 1st and I’m getting started on this year’s resolutions.

Architecture In Helsinki
Moment Bends (Modular/Universal)

It’s been interesting to watch Architecture In Helsinki’s evolution from sprawling hippy-pop collective into the the taut electronic unit that they present on their fourth and latest offering Moment Bends. Yet although the Melbourne group has forsaken most of its former arsenal of jam-room instruments in favour of synthesizers and drum machines, Architecture In Helsinki are no less inventive for it. Indeed, Moment Bends is Architecture In Helsinki revelling in a new sonic playground with the band creating an array of curveball hooks and sounds out of their new electronic toys. First single Contact High mixes Prince-like sex-funk with robot vocal processing and a cosmic guitar solo, Desert Island goes for the kitchen sink approach with calypso electronics, pretend pan-pipes and a euphoric choral finish, while Denial Style is excellent ‘80s cheese-pop with bonkers synths and girl/boy vocals. Even the plaintive closing ballad B4 3D makes sense despite itself. Somehow, whatever twisted pop experiment AIH decide to attempt, they make it work.

With word restrictions I probably didn’t get to talk enough about how much I like Moment Bends – I really really do. It’s full of wonderful little eccentricities as you’d expect from AIH but all done in a straight forward and accessible way. It’s rather sublime pop that a seven year old could like just as easily as a 70 year old could. You should dig it.

http://www.architectureinhelsinki.com/


Architecture In Helsinki – Contact High (Clock Opera Mix)

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ARCHITECTURE IN HELSINKI

February 17th, 2011 by Dave Ruby Howe | No Comments | Filed in Hyperbole

This is seriously tight. Architecture In Helsinki have dropped their organic hook-ups in favour of some steely, processed synth cool. Their new Modular-endorsed single Contact High is quick on the draw, bolting out with some bouncing beats and squelchy synths before Cameron Bird does his own breathy version of Prince on the vocals. And then it just gallops into some really wonderful self-assured pop. Who can argue with that?

Architecture In Helsinki – Contact High by modularpeople

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FLIGHT FACILITIES

January 14th, 2011 by Dave Ruby Howe | 1 Comment | Filed in Hyperbole

Man, this was a pretty inspired choice for a remixer. Modular combines its flagship dudes Cut Copy doing their tropical thing with Take Me Over and Bang Gang 12 Inches disciples Flight Facilities for the smoothest little synth house jam this side of, uh, the last FF remix.

Cut Copy – Take Me Over (Flight Facilities Remix) by flightfacilities

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CUT COPY

December 23rd, 2010 by Dave Ruby Howe | No Comments | Filed in Hyperbole

Take Me Over is another curveball from Cut Copy before we finally get to hear Zonoscope but it’s a damn nice one, better than most have been saying anyway. If the original wasn’t club ready enough then scope Tim Goldsworthy’s epic 10 minute remix below and enjoy the space disco vibes.

Cut Copy – Take Me Over (Thee Loving Hand Remix)

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GLOVES

November 26th, 2010 by Dave Ruby Howe | No Comments | Filed in Hyperbole


My main man Yama – that’s Gloves if you didn’t know – has been killing everything he touches recently and he’s back again with a sublimely housey take on what is surely the next Bag Raiders single, Sunlight. That’s some inspired A&Ring, no?

Gloves marries the technicolour pomp of the original with some classic Braxe synths and back room beats. I know the Northern hemisphere is just settling into winter but this is first shot of summer down here! Now if only we had some High Lifes.

PREVIEW SNIPPET Bag Raiders – Sunlight (GLOVES Remix) by GLOVES

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A-TRAK

November 24th, 2010 by Dave Ruby Howe | No Comments | Filed in Hyperbole


Remember when A-Trak first came out with those remixes for Stronger and Idealistic and everyone was all like, ‘oh what? This dude does remixes now? Yeah okay, I can get on this’, and then the DJ whiz developed into a seriously hard-hitting producer popping out some of the most played tracks in clubville like his Heads Will Roll flip? Pretty impressive, right? Well the dude’s at it again with this new mix for Robyn which turns Indestructible into an even more dramatic little banger. Hit the stream below.

Indestructible (A-Trak radio edit) by robyn

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SINGLES COLUMN

September 19th, 2010 by Dave Ruby Howe | No Comments | Filed in Hyperbole, Writing

Beyond the blogging realm I try to write as much as I can for magazines and other pubs and Canberra’s BMA was actually the first place to ever give me a go so I still do their fortnightly singles column five years later. It’s the only outlet that I do pro-bono anymore but that let me say shit and dick a lot in print so it’s totes worth it. Here’s last week’s run of singles.

Cee-Lo Green
Fuck You (Warner)

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If there’s anyone I’d love to hear more of on commercial radio it’s Cee Lo Green. Dude has an incredible voice and charisma oozing out his pores and Fuck You marks his big leap to the spotlight. But, and there is a but, as jaunty and infectious as this is, it’s also pretty harmless. Enjoy this now before 70 year olds start calling it ‘funky’ and grooving to it like Hey Ya 2010.

Kylie
Get Outta My Way (Warner)

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Why isn’t Kylie bigger than Madonna? Madonna releases drivel these days, yet Kylie manages to strangely stay ahead of the pack by aligning herself with great producers and writers. As such Get Outta My Way is a compact little gem of pop, bouncy and instantly catchy. And there’re no zombie arms in sight.

Linkin Park
The Catalyst (Warner)

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Knowing their target audience of pent up white dudes ever so well, Linkin Park throw all their tricks into the mix like they’re going out of business. That of course means more yelling, more emo angst, more white-guy rapping and more wannabe NIN electronics than ever before. Michael Bay will fucking love this shit.

Muscles
Girl Crazy Go (Modular/UMA)

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Say what we will about Muscles – and I’ve said a libelous amount myself – I’m actually really glad this troublemaker is back. The time off has only made him stranger and so now he’s on some kind of futuristic Hi-NRG electro tip. The vocals are grating but as a whole this actually a lot of fun. Sure the initial fascination in him has waned like a kid with a stray dog before they get tired of it shitting on the carpet, but Muscles was never meant to be a well loved pinup, he’s better when he’s the oddball outsider. Welcome back, you wonderful lunatic.

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CHROMEO

September 17th, 2010 by Dave Ruby Howe | No Comments | Filed in Hyperbole, Writing

So much love for Chromeo, no question about that. In an age where buzz bands and producers spring up for three weeks only to be never heard from again these two funkers are just so damn consistent and their new LP Business Casual is already a 2010 favourite. Here’s my review of the record as published on inthemix.com.au.

Chromeo – Don’t Turn The Lights On (Christian Martin Remix)

Lenny Kravitz – Breath (Chromeo Remix)

Chromeo have always skated a thin line with followers of their immaculate retro-electro. Are the talk-box vocals and synth-ed up sounds a joke? Do they really love Hall & Oates as much as they say they do? How seriously can you take them? While such questions were legitimate ones following the release of their first record, She’s In Control, when the Canadian duo dropped their follow up disc Fancy Footwork in 2007 any doubts of the band’s resolve were squashed. That was an album packed with hit after hit, and most importantly, it was great to listen to, every song tweaked and twisted to perfection. With Fancy Footwork, we finally found out the truth about Chromeo; they’re serious about being fun, and as such, they’re seriously fun. Now the Canadian funksters have arrived at album number three and it’s all sorts of awesome.

Kicking off Business Casual with Hot Mess, Chromeo waste no time in re-familiarising listeners with what the duo do best, wheeling out the thick analog synths and bouncing rhythms for a skinny-tie-sporting ‘80s romp. It’s a perfect opener to the record, showing that Chromeo haven’t missed a beat in between drinks. Things then slink on and into I’m Not Contagious, another slice of unabashed retro-goodness with hooks for days.

If there was a worry that perhaps Chromeo would get a little stagnant mining the one style for so long – but doing it ever so well I’ll add – then Business Casual’s lead singles offer some impressive flashes of diversity for the pair of Dave 1 and P-Thugg with Night By Night offering up some of the guitar heroics of the band’s live show and Don’t Turn The Lights On turning down the BPMs for a strutty sex jam. Elsewhere You Make It Rough bursts forth into an extended seven-minute synth-epic.

These newish colours suit the Chromeo boys, especially when they get around to the smoothed out J’ai Claqué La Porte which as well as being the band’s first song completely in French also features Chromeo picking up strings and acoustic guitars for a wonderfully lush two minutes.

But as with every dose of Chromeo material, the duo never push too far behind doing what they love and Business Casual is naturally plumped out with some cracking gems like When The Night Falls and the giddy soft-pop of The Right Type.

It’s all over too quickly in just 10 tunes, but if Business Casual proves one thing it’s that Chromeo are incredibly consistent so it’s likely that I’ll be back here in another three years listening to their next album with a huge grin on my face.

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